by Eva von Contzen

Can a work of visual art be a list? In The Broad in Los Angeles, there is a painting by the Californian artist John Baldessari (b. 1931) entitled “Tips for Artists Who Want to Sell, 1966–68”. On a white canvas, written in black capital letters, he writes: “Tips for Artists Who Want to Sell”, followed by a list of three such tips, each item introduced by a black bullet point: artists are advised to use light rather than dark colours, choose a subject that sells well (such as still lives – but without any disturbing details – or nudes), and pay attention to the subject matter (bulls and roosters are better than cows and hens). Have a look at the picture here: https://www.thebroad.org/art/john-baldessari/tips-artists-who-want-sell Continue reading “Lists as/and Artworks” →

by Amanda Gerber

In her most recent post on Listology.blog, Martha Rust introduced us to distinctiones, or diagrammatic arrangements of lists into visual shapes, which could then be reconstituted in different arrays for sermons. This post returns to this issue of the diagrammatic list to explore two central questions: Where does one draw the line between list and diagram? Or should a line even be drawn? And does a diagram’s formatting change how a reader conceptualizes or acts upon its itemized information? Continue reading “List Between the Lines: Teaching Visualization in Oxford, Bodleian Library, MS Canon. Class. Lat. 70” →

by Julia Böckling

In her listology.blog post about the Ten Essentials of Hiking, Martha Rust asks whether a collection of pictures can still be a list. This post proposes that in the case of Instagram, an app devoted to collections of pictures, the answer is “yes”. As the listicle below will show, even non-traditional (picture) lists, that is, lists that do not aspire to listhood, share the same / similar functions as traditional lists and should therefore be taken into account when analyzing lists online. Continue reading “#adorablepets: Why Instagram Loves Lists” →

by Amanda Gerber

“Of friends,” one fifteenth-century reader dubs the topic of his list addition to Book 1 of Statius’s Thebaid. As demonstrated in my last blog post about Statius, “Epic Hit List,” readers might more readily associate the Roman’s bloody epic poems with murder victims than friends, but friendship occupies the mind of this Thebaid reader nonetheless, prompting a list of four pairs of famed heroic friends. With each pair of names introduced by a paraph marker and a bracket to connect them, the annotator commemorates some of antiquity’s most renowned heroic couples almost as heroic couplets: Continue reading “Friending Thebes” →

by Eva von Contzen

Bank statements are hardly something we approach with excitement: they are the epitome of lists as a means to an end, and that end is to record and track an account’s moving money. While their practical functions are undeniably important, bank statements seem to be as far removed from literary texts as it gets. However, a recent short story by the Zambian writer and academic Namwali Serpell turns these expectations upside down and uses the form of a bank statement – that is, nothing but a bank statement – to tell a story. Continue reading “More than Numbers: The Storytelling of Bank Statements. On Namwali Serpell’s Short Story “Account”” →